Paperback | Jul 2019 | Giramondo Publishing | 9781925818116 | 112pp | 210x148mm | GEN | AUD$24.00, NZD$29.99
Shortlisted for the 2020 NSW Premier's Literary Awards Kenneth Slessor Prize for Poetry
The third poetry collection by Lisa Gorton, one of a small number of Australian writers who have won major literary awards for both poetry and fiction.
Lisa Gorton began writing Empirical when the Victorian Government of the time threatened to cut an eight-lane motorway through the heart of Royal Park in Melbourne. She walked repeatedly in the park, seeking to understand how the feeling for place originates, and how memory and landscape fold in and out of each other. The poems exploring this feeling for place are followed by a sequence which recreates the colonial history of Royal Park through the gathering of fragments from newspapers, maps and pictures, a different way of asserting its value, by demonstrating how a landscape can conceal the history of country beneath its layers of time. From this close-up study, in its second part the collection opens out into poems which meditate on ancient statues, Rimbaud's imperial panoramas, the making of Coleridge's poem 'Kubla Khan', the exhibition galleries of Crystal Palace — tracking, through chains of influence, and a phantasmagoric procession of images, the trade between empire, commodities and dreams of elsewhere. Empirical follows a deluxe promenade of thought, in which landscapes are mirrored and refracted in the contemporary Baroque style for which Gorton is renowned.
Praise for Gorton's second poetry collection Hotel Hyperion:
'A sustained and complex exploration of how outer and inner worlds connect, of how to approach and address what we see, of the shapes and disfigurements of memory, of the links between dream, hallucination, reality and being. [It is] replete with persistent, transformative crystallisations.' — Sydney Review of Books
'In her poems, we see – briefly, behind us – cities; but her focus is on the human sphere; and, within its circle, the mind; and within that, art.' — Mascara Literary Review